Going Bugs
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Many years later I was surprised to find that I had suddenly and inexplicably become completely fascinated by geology - particularly, igneous petrology. It is fairly clear to me now what this signaled, though it was wholly unconscious at the time. There is no doubt whatever that as your inner landscapes and inner ecologies change so do the aspects of the world to which you are drawn. The inner and the outer are profoundly connected and the exploration of those connections and resonances can be a life's work. Alchemists knew this, some scientists surely do, and so of course do poets.
One approach to all this can be found in the work of James Hillman. Here are some excerpts from his 1988 essay "Going Bugs." (Spring: A Journal of Archetype and Culture, 1988. 40-72.) (borrowed from here):
"If the dream world is the return of the repressed (Freud), turning the face to us that we unconsciously turn to it (Jung), then it appears so stinging, buzzing and persecutory when our cultural consciousness treats our symptoms as vermin, our complexes as parasites. Yes, we want to rid ourselves of the underworld, using the nice white powder of destructive abstraction available from any pharmacy and/or physician, and in any session of ego-psychology. The source of the pharmacology fantasy and industry lies in the fear of going bugs. That we need an ecology movement, animal rights advocacy, and a world wildlife fund begins in our dreams.
Dreams show bugs have something to teach. They demonstrate the intentions of the natural mind, the undeviating faith of desire, and the urge to survive.
They bring the community consciousness of a swarm and hive, a Gemeinschaftsgefuehl, a cosmic sympathy, deeper than a social contract. They conjoin and enjoy the contrary elements of earth and air, show amazing capacities to conform and transform, and are resolute in their persistence to draw a dreamer out of the shelters of human habitation, the sheltering limits of human habits.
Our dreams recover what the world forgets. Forgotten pagan polytheism breeds in animal forms. In those animals are the ancient Gods: the Celtic horns and salmon, the Viking bears, the Egyptian pigs and river horses, crocodiles and cats, the Roman wolves and eagles, and Navaho be'gotcidi. The old Gods are still there in our dreams--those zoological cathedrals, where there is a mansion for the insects of Beelzebub and Mephistopheles. The animals may go on like Gods, alive and well and unforgotten, in the ikons of our dreams and in the vital obsessions of complexes and symptoms, the little bugs indestructible. Sing praise. Gaudeamus."
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This essay apears, along with several other pertinent pieces in James Hillman, ANIMAL PRESENCES, Uniform Edition Vol. 9. - This volume includes the major Eranos lecture "The Animal Kingdom in the Human Dream," and Hillman's contributions to the out-of-print "bestiary" Dream Animals (with Margot McLean), as well as the essays "Going Bugs"; "Nature in the Doghouse"; "The Elephant in the Garden of Eden"; "Imagination is Bull"; and shorter interviews and penetrating conversations on the animal theme. From Spring Publications.
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