Norman Fischer

Zoketsu Norman Fischer
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Norman Fisher: A Test Case for Being, by Brian Unger in Jacket 2

New Poems, March 2011.

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My initial interest in Fischer, poet and zen priest, was sparked when Ron Silliman told me that he was an important influence on Leslie Scalapino.

From Unger's essay:

"Norman Fischer’s work is best described by Hank Lazer as part of a new spiritual realism that has developed in the past fifty years, first noted by Gertrude Stein in the 1935 essay “Poetry and Grammar,” which was a riposte to Emerson’s “The Poet.” Stein wanted to get writers to move away from Emerson’s focus on the poet’s transcendental relation to nature and divinity onto language itself, “in which a form of divinity resides, not wholly beyond words, but within them.” This is developed by Lazer and Fischer. Lazer describes his creative poiesis as investigative, spiritual, and heuristic:

" … a phenomenology of spiritual experience — a writing that engages momentary experience and that embodies particular intervals of consciousness.”



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